The idea of recording " In the Hall of the Mountain King" came from a scene at the Henley Royal Regatta and trying to find a song that would match up with its Edwardian era garden party theme. Reznor recalled, "The whole process was fun for me because I liked answering to someone I respect and not having to make all the decisions for a change." Reznor and Ross would try sketches of songs, figuring they would have to revise it eventually, only for Fincher to get back to them and say, "I don't have anything bad to say – that's never happened before." The film initially had a " John Hughes vibe" to it, which concerned Reznor at first, but after meeting with Fincher and trying out different ideas with Atticus Ross, it turned out to work a lot more smoothly after all. The film opens Oct 1 in the US with the record likely available a couple of weeks ahead of that.
The level of excellence that David operates on is inspiring and the entire process has been challenging and truly enjoyable.Īs Atticus and I near the end of the scoring process, we're looking forward to the next phase - distilling the large amount of music we've written for this down to a satisfying record (or two). Months later, I'm happy to tell you we're nearing the completion of this and I couldn't be happier with how it's turned out.
Atticus Ross and I have been on a creative roll so I asked him if he wanted to work on this with me and we signed on. When I actually read the script and realized what he was up to, I said goodbye to that free time I had planned. I've always loved David's work but quite honestly I wondered what would draw him to tell that story.
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Yeah, the movie about the founding of Facebook. David Fincher started inquiring about my interest in scoring his upcoming film, The Social Network.
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I was planning on taking some time off after the continual waves of touring that ended last fall and spend this year experimenting around with what would become How to Destroy Angels and some new NIN. On July 1, 2010, Reznor publicly announced that he and Ross were taking part in the soundtrack on nin.com: After further reflecting, Reznor apologized and told Fincher to keep him in consideration, to which he told Reznor that he had been waiting for him to accept. When Trent Reznor was originally asked by director David Fincher to score The Social Network, he initially declined, partly due to just finishing up a long touring and recording schedule.
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